by Kuda Rice
Zimbabwean visual artist Tamary Kudita recently captivated audiences with her solo exhibition, Threads of Heritage, at Visu Contemporary Gallery in Miami, Florida. This breathtaking showcase of over 20 photographs delves into the complexities of identity, culture, and heritage, weaving a narrative that deeply resonates with viewers.
Tamary’s artistic journey, shaped by a passion for storytelling and a fascination with the science of light, began in her childhood curiosity for dismantling and reassembling objects. Today, her photography serves as a powerful form of visual activism, challenging conventional notions of Zimbabwean culture while exploring dualities within her work.
In Threads of Heritage, Tamary presents a selection of her career-spanning works, from early pieces to her most recent creations. The exhibition’s theme of togetherness underscores the interconnectedness of Zimbabwean identity, culture, and heritage, with the title drawing on the layered meanings embedded in traditional fabrics.
Kuda Rice sat down with Tamary for an exclusive conversation, exploring the inspiration behind the exhibition, her creative process, and the impact of her work on global audiences.
Kuda Rice: What inspired you to pursue a career in the arts, and what drives your creative passion?
Tamary Kudita: For as long as I can remember I have always been creatively inclined. I was drawn to photography and the idea of being an author of sorts. Being able to see the beauty in the ordinary and translating that into a visual language which speaks to people really captivated me. From a technical standpoint I was intrigued by the science of painting with light and capturing fleeting moments we sometimes take for granted. These elements ultimately shaped my artistic career. As far as I can remember I was a curious child who had a knack for dismantling, reconstructing and rearranging anything I could get my hands on. As an adult this curiosity was channelled into my art by creating suggestive worlds which present a new reality parallel from status quo.
KR: What was the inspiration behind this exhibition and the creative process?
TK: This exhibition showcased over 20 pieces from my collection, all united by the common theme of togetherness. The idea was to present my work as awhole, from the very first image I created to my most recent pieces, so viewers could get a full sense of the evolution of my work from its inception.
The title, 'Threads of Heritage,' is inspired by the threads that unite us in this instance: the fabric worn by my models, which is layered and embedded with meaning. Our identities are also interwoven, speaking to our cultural heritage as illustrated by landscapes, significant cultural objects, language, people, and traditions, which in turn inform the creative process."
KR: What was your experience like showcasing your work in Miami?
TK: I absolutely loved showcasing in Miami for the third time! Each year feels like a fresh start due to the incredible audience response. The energy extends far beyond the gallery space, and you can truly immerse yourself in the vibrant culture evident in the architecture, language, and heritage. The experience was truly inspiring and unforgettable.
KR: How did the audience respond to your exhibition?
TK: The audience's reaction is always one of my highlights. They were enamored not only with the work but also with the women featured in the series, eager to learn their individual stories and what shaped their journeys. As I narrated the models' journeys, there were often people in the audience who shared similarstories. This resonance shows me that I'm on the right path and that art can connect us, even if we are worlds apart.
KR: How do you explore themes of identity, culture, and heritage in your work
TK: I like to think of myself as a visual activist who uses the camera as a tool. I explore themes of identity culture and heritage through my artistic my style plays on the dualities that exist in the world. Contemporary versus historical, Fantasy versus reality, modernity versus tradition and endings versus beginnings. Reflecting on these polarities allows me to create a fluid visual language. Ultimately, the philosophy that shapes my creative practice is
constantly evolving as I learn and grow. My approach reflects humanist values such as respect for individual dignity alongside the pursuit of equality. I enjoy approaching creation as a process of discovery. Identity is fluid, and living in the now allows me to be part of its ongoing narrative.
KR: In what ways do you think your art challenges or reinforces traditional notions of Zimbabwean culture?
TK: When you think of Zimbabwe, what comes to mind? Soapstone Shona sculptures, Victoria Falls, or wildlife? These are all important cornerstones, but my work delves deeper into the fabric of Zimbabwean life. I showcase the hardworking grandmother supporting her family, the dedicated farmer providing for his community, and the courageous liberation heroes who fought for our independence. Through my art, I aim to portray the true meaning of family and community in Zimbabwe.
KR: How do you think women from Zimbabwe and Africa are represented in the global art scene?
TK: Zimbabwean women are making significant strides in the art scene, which is long overdue. However, there remains a notable disparity in representation, as Zimbabwean photographers are still underrepresented on major platforms.It's clear that with limited resources, we've proven our ability to achieve great things. It's time for the market to invest in our potential.
KR: What advice would you give to emerging female artists from Zimbabwe and Africa?
TK: Treat your career like a business. Develop a detailed business plan that will guide you and inform your actions. As an artist, you must step out and ask for what you need. Build relationships with people who can support your career. Think beyond your immediate surroundings. Ask yourself if you want to be popular or make money. Your answer will determine your trajectory as an artist. This change has to start right where it matters most: at home.
KR: What message do you hope viewers take away from your art?
TK: I hope my art can serve as a mirror reflecting the beauty, resilience, and complexity of Zimbabwe. I want viewers to see the strength of its people, the richness of its culture, and the enduring spirit of its land.
KR: Any exciting future plans you can share with us?
TK: My work will soon be featured in more museum collections! This has always been a dream of mine, and it's incredibly exciting to see my art reaching new audiences.
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