by Olga Dzingo
In Zimbabwe's vibrant art scene, a cadre of artists continually pushes the boundaries of creativity and self-expression. Among them is Mercy Moyo, a distinguished painter, draftperson and collagist whose visionary work has captivated audiences since her artistic journey began in 2003. Inspired by her grandmother's craftsmanship as a basket weaver and potter, Moyo has developed a unique narrative through her bold and diverse practice, utilizing unconventional materials such as tissue paper and pages from old books and newspapers.
Moyo's deep appreciation for creativity and storytelling was nurtured from a young age by watching her grandmother skillfully weave baskets and mold pots. Drawing from these traditional influences, she forged her own artistic path, integrating her grandmother's techniques with her own distinct vision. An alumna of the National Gallery of Zimbabwe Visual Art School in Harare, Moyo specialized in drawing, printmaking, and painting, laying a strong foundation for her innovative work.
“Art runs in my family. I drew inspiration from my grandmother, who used Nyii Tree Bark to create threads for her colorful baskets,” Moyo recalls. Her choice to work with unconventional materials, including tissue paper and book pages cuttings, showcases her resourcefulness and ability to transform the ordinary into something creatively extraordinary. The delicate, translucent nature of tissue paper allows her to create layers of depth and texture, bringing her subjects to life. By incorporating pages from old books, she pays homage to her love for storytelling, infusing her artwork with narrative elements that transcend visual expression.
“Art is about experimentation,” she notes. “I work with tissue paper and cuttings from olf book pages; these simple resources produce satisfying aesthetics and encourage people to engage with the work.” Driven by a quest for growth, Moyo has participated in numerous art residencies and workshops worldwide. From Dzimbanhete Art Village to programs in Vermont, Denmark, Ethiopia, South Africa, and the United States, these experiences have enriched her journey, fostering new connections and invaluable feedback that continuously refine her craft.
Among the artists who have profoundly influenced Moyo is Bisa Butler, whose vibrant fabric portraits inspire Moyo to explore new concepts and challenge herself creatively. Embracing diverse influences, Moyo's practice transitions effortlessly between minimalistic aesthetics and flowing, intuitive compositions. “I have traveled extensively, participating in residencies and workshops that have significantly improved my practice,” Moyo notes. “Advice from other artists, like Hilda Rix and William Kentridge, has been invaluable in developing a unique working style.”
Despite her success, Moyo faces challenges common to many artists, such as access to specific materials and the misinterpretation of her artistic narrative. The lack of adequate appreciation and recognition of women artists further complicates her journey. However, her distinctive practice, inspired by her grandmother's craftsmanship, fearlessly explores unconventional materials and pushes the boundaries of artistic expression.
Mercy Moyo's work weaves stories that resonate deeply with audiences, inviting contemplation of the narratives within her creations. As her practice continues to evolve, Moyo stands as one of Zimbabwe's most important contemporary artists.
Olga Dzingo holds a Journlaism qualification from the Christian College of Southern Afric and has contributed articles in various publications in Zimbabwe.
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