by Zimiso Nyamande
Art forms can challenge the dominant narratives that have shaped our understanding of history. Through giving voice to marginalised experiences, they can question the status quo. But most importantly, they can spark conversations and inspire action for social change. An exhibition on Zimbabwe's beer culture at Mbare Art Studios in Harare featuring the artworks of StAR residency artists Nothando Chiwanga and Joshua Chiundiza is a testament to that power.
The colonial era enforced racial segregation, and liquor distribution in beer halls was a key tool. Africans were directed to separate areas and different halls altogether. Licensing restrictions, pricing strategies, and stricter regulations in African-designated spaces all reinforced this division. This segregation can be found within the walls of these halls.
Curated by artist Moffat Takadiwa and art researcher Lifang Zhang, “If These Walls Could Talk” is a celebration of resilience. A celebration of victory. Victory achieved by being resilient to injustice. It is a dive into Zimbabwe's beer culture. A thorough research that brings to the spotlight the injustice imposed on Africans during the colonial era. This it achieves through a debut collection by Nothando Chiwanga, whose part of the exhibition titled " Queen of the Underground " doesn't shy away from the complexities of Zimbabwe's colonial history, as it unearths the role women played during the colonial era.
Nothando Chiwanga is an artist whose talent and dedication have propelled her to the forefront of the country's artistic scene. A product of the esteemed National Gallery School of Visual Arts and Design, Chiwanga has honed her skills through diverse workshops that delved into realms as diverse as realism, performance art, and artistic ethics. Chiwanga's work resonates deeply with its viewers. With her first solo exhibition now firmly etched into her portfolio, this creative force is poised to redefine boundaries and leave an indelible legacy in Zimbabwean art - a force not to be ignored or underestimated.
"Queen of the Underground" is a profound exploration of the lives and stories of unconventional women who have been marginalized and oppressed. “Inspired by my deep desire to celebrate and honour these remarkable individuals, I embarked on extensive research that ignited my mind and fueled my passion,” she says. Through this project, Chiwanga aims to “shed light on the strength, resilience, and beauty that shines through their struggles. As I immerse myself in their narratives, it becomes clear that they are not mere subjects; they are warriors who defy societal norms and pave their own paths. Their stories deserve to be heard, acknowledged, and celebrated.” By giving voice to these extraordinary women through installation, photography, and performance, "Queen of the Underground" becomes a powerful testament to their indomitable spirit.”
In ‘Queen of the Underground’, Nothando captivates the portrayal of the “Shebeen Queen” a resilient figure who fought oppression and defied settler rules. Nothando Chiwanga fiercely confronts the invisibility and silence imposed upon marginalized communities by dominant narratives. Through her powerful stance, the “ Shebeen Queen” defies oppressive systemic power structures, refusing to be silenced or oppressed. The Queen's vibrant attire and adornments serve as a celebration of heritage, resisting the erasure of marginalized cultures. In her vulnerable yet resilient poses, she reflects upon the strength that emerges in the face of adversity. The Queen reclaims her space and empowers herself through self-expression, challenging the forces that seek to oppress. Her presence signifies a deep connection to community and solidarity with others, illuminating the boundless strength found in collective resistance. This depiction by Chiwanga leaves viewers profoundly impacted, urging them to question prevailing narratives and stand up against injustice with unyielding courage.
In her exhibition, Chiwanga utilises a powerful combination of art tools. She blends installation, photography, and performance. “I seek to envelop my audience in an immersive experience that brings my thematic vision to life. My installations create a dynamic environment that envelops the viewer, offering physical space for the reflection of messages and interactive elements that engage with the audience,’ she says. She uses photography to “capture the women's stories and intricate details within the installation,” while performance “activates it with movement and action – involving both myself and the audience in a shared experience. I believe these elements - installation, performance, and photography - inspire each other to enhance the overall narrative powerfully.” By blending installation, photography, and performance together seamlessly, she successfully communicates her message of resilience against injustice in Zimbabwe's beer culture during colonial times. This interactive element not only engages viewers on a deeper level but also allows them to witness firsthand, the emotional impact of these stories.
Through her powerful and thought-provoking exhibition, Nothando Chiwanga aims to ignite a spark within viewers, inspiring them to take action and make a difference. She wants her audience to feel not only inspired but empowered to “pursue their own creative passions and stand up for social justice.” By raising awareness about the significance of underground acts in shaping culture and society, Chiwanga hopes to “highlight the value of diverse perspectives and experiences.” Her ultimate goal is to “instill courage in viewers, urging them to challenge the status quo, push boundaries in their lives and communities, and find their unique voices.” In this transformative journey, she seeks to touch hearts deeply so that individuals cannot help but be moved into action that can change the world we live in for the better.
Ultimately,” If These Walls Could Talk” is not just an exploration of Zimbabwe's beer culture, but a powerful testament to the enduring spirit of those who have fought against injustice. It serves as a reminder in uncovering hidden histories, amplifying marginalized voices and inspiring collective action towards a more just society. Through this exhibition, Mbare Space continues its commitment to using art as a catalyst for social change and empowerment.
The exhibition is on view at Mbare Art Space, 20078 Pazarangu Avenue, Mbare, Harare, Zimbabwe and runs until 30 June 2024.
The StAR residency is part of the'If These Walls Could Talk' project that responds top the themed research on urban history in Southern Africa. the project is supported by the US Embassy Zimbabwe
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