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The Blachère Foundation Hosts 'Kuvhunura: The Harare School' Exhibition

by artweb

Duncan Wylie (2018), Self Construct, oil on canvas. This work is part of the Kuvhunura exhibition (Image: Duncan Wylie IG)

Since 2004, the Fondation Blachère has played a pivotal role in promoting contemporary African art, offering African artists a platform to establish themselves within the international art market. Founded by businessman Jean-Paul Blachère, the foundation’s initiatives have been instrumental in fostering cultural dialogue and creative collaboration among artists from Africa and beyond. Located in Apt, France, the foundation not only hosts artists in residence but also organizes regular exhibitions, workshops, and discussions, inviting the public and aspiring artists to engage with the creative process.


One of the foundation’s latest exhibitions, Kuvhunura: The Harare School promises to be a landmark event for Zimbabwean contemporary art. Running from October 17, 2024, to March 8, 2025, at the Blachère Foundation’s art center in Bonnieux, this exhibition highlights the artistic vitality of Zimbabwe’s emerging painters, showcasing 22 prominent artists who have been shaping the country’s creative landscape over the past 15 years. Curated by Georgina Maxim and Valérie Kabov, the exhibition signals a transformative moment for Zimbabwean art, celebrating the artistic commitment of a new generation of artists pushing the boundaries of their medium.


For decades, Zimbabwe’s art scene has been predominantly associated with its renowned stone sculpture tradition. However, in recent years, painting has emerged as a dynamic and evolving medium, providing artists with new ways to express their experiences, identities, and social realities. The exhibition's title, Kuvhunura / Kupinda ne wenje mudziva, translated from Shona means "the shedding, the renewal: entering the lake with a candle," reflects this transformative spirit. It symbolizes the fresh, daring approach that these young artists bring to Zimbabwe’s visual arts scene, exploring themes of renewal, identity, and legacy.


Exhibition Poster (Image: Fondation Blachere IG)

The exhibition brings together a range of established and emerging talents, including Again Chokuwamba, Admire Kamudzengerere, Troy Makaza (who is currently on a artist residecny at Fondation Blechere), Epheas Maposa, Nyasha Marovatsanga, Kenmore Maruta, Mishek Masamvu, and Georgina Maxim herself. These artists are joined by others such as Mostaff Muchawaya, Kresiah Mukwazhi, Wycliffe Mundopa, Terrence Musekiwa, Amanda Mushate, and Anne-Zanele Mutema, each contributing their unique voice to the collective narrative of Zimbabwe’s new wave of artistic expression. Artists like Grace Nyahagare, Gareth Nyandoro, Moffat Takadiwa, Gresham Tapiwa Nyaunde, Mavis Tauzeni, Helen Teede, Evans Tinashe Mutenga, and Duncan Wylie further enrich the exhibition with their diverse perspectives and creative approaches.


In this exhibition, Zimbabwe’s rich artistic heritage is both honored and redefined. By stepping into the metaphorical lake with their candle, these artists illuminate the evolving cultural landscape, shedding old layers and embracing a new era of Zimbabwean creativity. Through this collective effort, they not only uphold their national legacy but also contribute to the ongoing global dialogue on art and identity. The exhibition at the Fondation Blachère offers art lovers a rare opportunity to witness the convergence of history, innovation, and cultural exchange that defines the contemporary Zimbabwean art movement.


Kuvhunura: The Harare School represents a significant moment in the recognition of Zimbabwe’s contemporary painters on the international stage. This exhibition promises to not only spotlight the immense talent coming out of the country but also to position these artists within the broader narrative of global contemporary art.



Blachere Fondation

Monday -Saturday

Open 10am to 12:30pm and 2pm - 6pm

Tel: +33(0)432 520615



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