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Artworld Passport at Investec Cape Town Art Fair 2026: Mobility, Multiplicity and the Performance of Access
by Wadzanai Machirirori Visitors to the artworld passport booth at the Investec Cape Town Art Fair 2026 At the 2026 edition of the Investec Cape Town Art Fair, the Artworld Passport returned not as a speculative proposition but as an activated system. The booth operated less as a commercial stand and more as an art border post, archive, and civic registration office. Throughout the week at the CTICC, dense queues formed as new passport holders waited to be issued, photographe
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Artworld Passport at Investec Cape Town Art Fair 2026: Mobility, Multiplicity and the Performance of Access
by Wadzanai Machirirori Visitors to the artworld passport booth at the Investec Cape Town Art Fair 2026 At the 2026 edition of the Investec Cape Town Art Fair, the Artworld Passport returned not as a speculative proposition but as an activated system. The booth operated less as a commercial stand and more as an art border post, archive, and civic registration office. Throughout the week at the CTICC, dense queues formed as new passport holders waited to be issued, photographe
ZVATIRI: Nyahunzvi's Declaration of Presence at the National Gallery of Zimbabwe
by Wadzanai Machirirori At the National Gallery of Zimbabwe in Harare, Option Dzikamai Nyahunzvi’s solo exhibition ' Zvatiri' unfolds not simply as an exhibition of new work, but as a declaration. Translating to “The Way We Are,” the title carries the weight of assertion rather than description. It signals presence. It insists on continuity. In a Zimbabwe still negotiating the layered realities of post-colonial identity, spirituality, and institutional memory, Nyahunzvi posi
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